The “Sacred” in Sacred Music by Joan L. Roccasalvo
Music; something that can be felt with every ounce of our
being. Something that brings so much peace; something that can express emotions
from the depths of a yearning soul and can be as sacred as prayer.
Roccasalvo discusses the sacredness of music which spiked my
interest because music (listening to it, dancing to it, worshipping to it or
singing it) is one of my favorite things. Roccasalvo looks closely at music
from a spiritual perspective and proclaims that music helps us in our sacred
journey; it is a huge part of reaching the holy.
The way in which music is written, the lyrics (or lack
thereof), the instruments, the beat the melody all play a role in reaching the
holy. Roccasalvo points out a number of other factors that play into the
sacredness behind sacred music. Firstly, she discusses the familiar. Sacred
music appeals to every one of our senses – those things that are most familiar
to us. This reminds me a lot of when I hear my favorite worship songs and I can
literally feel the presence of the Holy Spirit surge through my body – I’m
therefore encountering the holy. Basically, Roccasalvo is saying that hearing
the music is one thing but allowing it to appeal to the human senses can only
foster contact with the sublime. Openness to the experience is also critical.
Secondly, Roccasalvo takes us from the familiar to the
unfamiliar and discusses melody, harmony, and rhythm. The sacred music
Roccasalvo is dissecting is music fit for intimate time with the holy. That
type of music is mostly without lyrics, filled with peace and tranquility and
is incredibly free. The first thing I could think about was the album Without Words by Bethel Music. The
entire album is praise and worship to God without words just instruments;
freeing; relaxing; fostering openness to the holy.
Lastly, Roccasalvo says that sacred music pushes us to take
a leap of faith to the sacred. After it
appeals to our sense and we move to the unfamiliar Roccasalvo professes that
“the mind and heart will interpret the mood of the music as sacred if a
positive predisposition is brought to the musical encounter. Purified, the
music mediates the presence of the holy and prompts the mind and heart to make
that leap to the sacred”. At this point I believe that we well on our way to no
longer being in the liminal. We are reaching the holy. We are about to fully
encounter what we set out to from turning on the music.
Music can be powerful and I believe Roccasalvo said it best:
“sacred music satisfies our human longing for the sacred”.
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